Відео

Did you just not want to bother him or did you just not recognize him?

And the Artist? Very🤗❤❤

Merci❤❤Paris and the singer( rin)is wonderful 😧😲💖

- А Вашим преданным зрителям из России, не хотите передать привет?..

thank you Kate, and thank you James

Is it that masks make people crazy, or crazy people just like the masks? Thank you Kate!

Wow, a banked gallery floor (for the cruise ship wreak painting)! I can just see the gallery's lawyer frantically calling from his beach house on Long Island... Those Giacometti portraits. Just mind bending and deep. Interesting to compare them mentally to Baselitz' figures. As for Dubuffet, I read somewhere that he was extremely prolific in *writing* about art. He emerged right after WWII as quite the thought leader in France. Would love to read some of that. Thanks James, thanks Kate!

Been a David Johansen fan forever. So delighted that he is a visual artist. Very pleasantly surprised. Thank you Kate.

Thanks for not including the street musicians.

Thank you and thank you kate

Great textures, vibrant.

Thanks!

i love you james, thank you for this from brussels !

Beautiful Art ! Thanks Kate !

8.54mins. Peggy Guggenheim suggested in 1943 to Jackson Pollock he look at 12th century Japanese collages. Lee Krasner might show of the influence of Japanese collages in this painting

So many wonderful moments of this double-whammy tour by JK. All the great back stories, considerations, accounts and musings just made a feast once again of your gallery tours. I really loved where you put an inset video of your newly found Pearlstein Master's thesis on Picabia. I heard once somewhere that art professors were leery of their students becoming fans of Picabia, but o/c this was art schools back in the 80s and 90s. Melvin Way is just out of this world amazing. I'll hope to find my own art book of his works eventually so I can spend hours disappearing into his mystical tapestries. Thanks James, thanks Kate.

A good painting is about the whole, so film the whole!

Turbo hydro magic transmission?

•̩̩͙⊱•☾⊙⊙↳ ͜ ͜thanks Kate

That second show is incredible!

ᵗʱᵃᵑᵏઽ ⊱•☾⊙⊙↳ ͜ ͜ Σ>―❥→

Melvin Way is a genius… Almost all of his work is a “beauty,” though I see a touch of Alchemical art influenced by William Blake. 👍😊

Thanks James, great show, greetings from Havana. Cuba.

Thank you!

Melvin Way's work is super. Reminds me of the work of Ray Johnson.

It would be good if political artists (Kozloff) did their research and did not spread CIA and State Department lies and propaganda. There is literally zero evidence that Uyghurs are being genocided, let alone forced into labour. The actual evidence is that the central authorities have stopped fundamentalists/Jihadists terror attacks (there were hundreds of such, with very possible links to CIA funded terrorists) and made Xinjiang safe and prosperous. Literally NO evidence that would stand up in court has been produced of a so-called genocide or forced labour and even Biden's lawyers have told his administration that. But the truth is never allowed to get in the way of the West's anti-China warfare and plans to start a war with China over Taiwan (as a proxy) to weaken China so the US can maintain its hegemony and so no US soldiers are killed (not poplar with the voters). Sound familiar? Yep, exactly like Ukraine. I really can't abide comfortable, priviledged liberal Western artists too lazy to do basic research into US imperialist propaganda. Rant over.

Thanks James for two interesting reviews. I really liked Neil Jenney's paintings, and really appreciate his skill as a carpenter, but honestly, I feel most of the time his frames are doing his painting a diservice. So many times they are distracting, and they do the opposite of drawing me in to see more. And lest I forget Thank you Kate!

Wow! Love those frames.

Great! Nice pairing of artists.

Found the JG show a bit off-putting. Some of the color combo's worked but for the most part they had a kind of a maladroit vibe to them. The reds and yellows were a bit too aggressive for me plus the drawing elements just didn't seem to marry well with the patches of color. Technically I'd also be a bit concerned about the possible non-archival quality of the ink markers. In a similar bad painting vein I much preferred the Joe Bradley show at David Zwiner from a few weeks ago.

Your commentary, as always, is excellent. Neil Jenney has produced some of the nicest furniture I've seen for a while.

The TT show was just amazing. For me it had kind of a Joan Synder fuses a Martin Wrong vibe. Nice juxtaposition of light sketchy areas with the chunky impasto parts.

Thanks! @jameskalmroughcut please consider taking us to see Ray Johnson's work at Starr Gallery.

To make wonderful Art is very, very difficult,oh, yes😮😯☘️

Thank you Kate, JK/LM I so appreciate you bringing NY to Gig Harbor and insightful investigation of ART. total healing, only focus necessary other than nature

Trudy is an excellent colorist

According to you this is art? 🥴

🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮

If Neil is going to paint something idealized, he might as well have painted some controversial ideology. I see no bravery there. 🙏🏼😊

Joanne’s take on or conversation with Albert Oehlen…

Crapstraction LOL! Really like this work though, especially the technique of drawing with bleach on dyed fabric and the loose threads like painted lines. Lovely. Wonder what that little kid at the beginning is doing now? 🤗

AWESOME! Thanks for showing.

Wow! Awesome! Your descriptive accompaniment adds so much Loren, thank you. Especially great to see the Neil Jenney's, that was a real treat. Those frames make me think of alterpieces and devotional icons as well as offering a slit window view from inside a bunker. Reverence, anxiety, perversity and a technique that borders on insanity make for a heady brew. The time span across the production dates of the whole show, as well as individual works is fascinating . I feel there's something meaningful in that too. Which is especially poignant considering the apparent speed with which the 'Bad' paintings were made. Resolute and defiant but with a sensibility that seems to speak of the end of times. Incredible!

Two amazing artists and completely different from each other! I’m so glad I watched this! Thanks James and Kate of course 👍

Thank you Sensei Kalm-san for another enriching walking lesson in looking and appreciating art. I learned what Flasche is, for one. Joanne's work seems so free of pretense, and just friendly and accessible. Making it look so easy, and also full of happiness. I bet an absolute ton of young artists take her success as a breath of hope against a possible jadedness from the big bad art world. Mr. Jenney is not my cuppa, but appreciate your thorough review as ever. ありがとうございます! And arigatto Kate-san!

Thank you Kate !!!!!!!!

As always, thanks James! Wanted to say that when I hear people speaking of the Italian Renaissance distinction between disegno (drawing) and colore (color) I sometimes get the impression the meaning is misunderstood. Disegno was said to be the foundation of painting by the Florentine painters who made fully developed drawings before applying colors. The style of colore painting is best represented by Titian (a Venetian) who went straight into the canvas with his colors without doing preliminary drawings. Colore, therefore, doesn't mean color as in colorfulness. Colore is the name for paints. Your paints are your colors. And Titian's mature paintings are tonal - not brightly colored. In fact, the Florentines made the more colorful paintings - think of Fra Angelico, Fillipo Lippi, Michelangelo, Bronzino, etc. They drew out their designs and filled them with brilliant colors. I think that's what confuses people - they expect colore-style paintings to be more colorful. The opposite is true.

amazing

watching from mallorca- I had exhibition in manhattenin 2019-. always love your comments and videos, keeps us foreigners in the loop!

big ups for annete taylor